Those sounds are arguably integral parts of the genre, and they really help establish a deeper soundscapes. Ambient albums can often fall victim of overuse of various effects, such as echo, delays and reverb. The record immediately stands out due to the clean, pristine sound of the production. I feel that this is a quality that I find in all of my favorite ambient releases, because it helps glue all the sounds together without creating too much separation! The binaural field of the music is really interesting, as the sound seems to be all around you, using stereophony in a very clever way, without overpowering the audience and maintaining a solid overall image of the sound.
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I am not one to tell people how they should listen to music, but if you have some free time, dim the lights and put your favorite headphones on - you’ll be rewarded with a fantastic listening experience. Again, “Even Unaligned, Topographies Are Still Connected” is a feast of old-school synth sounds, reminiscent of some of the earlier digital synths with that sweet lower sample rate that is so iconic today. “A Latitude Often Changes Character But Not Position” brings in some field recordings and some organic sounds to crown the beautiful pads, tipping the hat off to albums such as Sigur Ros’ seminal Valtari. For example, “To Return To The Valley One Has To Have Reached The Peak” features some lush synthesized string sounds that are reminiscent of some of the older Mellotrons. There are so many details that pop up here and there, adding sonic variety to this work. These songs are enjoyable individually, but they are even more powerful as a whole. Having said that, focusing on a single track is kind of pointless on a record like this, because as I’ve mentioned earlier, it’s all about connection. Towards the end of the song, an analog-sounding synth cuts through the mix, giving the track a vintage vibe that tips the hat off to the early days of ambient exploration. One of the highlights on the album, in my opinion, is the stunning second track, “This World Is Held Together By The Beauty Of Humble Places.” The sparse piano parts feel delicate and expressive, while a carpet of atmospheric pad sounds bringing it all to fruition perfectly. In addition to the artist’s masterful and thoughtful composition and production, Taylor Deupree, an acclaimed ambient musician in his own right, mastered the album to perfection. Each of these ten songs unfolds through gorgeous ambient experiments, as well as modern electronic musings and various other influences, all blended in together in a very seamless way. How do we find the middle-ground to survive and make this world a better place for everyone and everything? These songs are expertly crafted, and just like the trees in Haskell’s book, they are interconnected with the overall creative vision that drives the release. Forest Robots’ album doesn’t seek to give set answers or point to solution, but it does focus on asking important questions. The idea of an interconnected world with principles of cause and effect affecting pretty much everyone anywhere has become even more apparent over the past couple of years, with the impact of the COVID-19 pandemic and how it disrupted the lives of so many people. This revelation ties in with a call to consider the fate of the environment, and the impact that our actions have on nature, and ultimately, on ourselves. Everything matters, and everything is tangled up. The author traveled throughout the world, visiting various trees, chronicling their lives and stories, and showing the readers that there is a very veiled, yet crucial connection between the trees and their surrounding ecosystems. Should you not be familiar with this publication, it’s highly recommended! Haskell is a biology, but this isn’t your average scientific essays. The tracks are tied together beautifully, bound by a central concept that relates to “The Songs of Trees,” a book by David George Haskell. Horst & Graben is a joint release on Emmasierra Songs and Elm Records, and it happens to be a very important milestone for Forest Robots (AKA Fran Dominguez), since it makes the 6th studio work for this artist. Unlike other composers out there, this recording project has a very open-ended approach, which pushes them to experiment with a huge range of creative options, setting the bar higher in terms of originality and uniqueness with every new album. September 2021 - Forest Robots is not your average recording artist. Forest Robots is back on the scene with a new studio album: Horst & Graben
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